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Christopher Nolan predicts surprise Best Picture nomination at next year’s Oscars

Sunday’s Oscar ceremony produced a number of positive talking points on an otherwise successful night celebrating the best of everything film.

One movie that was mentioned on the regular throughout the night and indeed for the last few months, is Black Panther.

The latest Marvel release received incredible critic reviews and fan reaction as well as offering a voice for diversity in film.

Furthermore, legendary director Christopher Nolan offered his thoughts on the movie on Deadline’s Oscar round-up, claiming that he believes “Black Panther will among the Best Picture nominees in 2019”.

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Although a superhero movie has never been nominated for an Oscar outside of the technical awards before, Logan broke that duck this year when it was nominated for Best Adapted Screenplay.

Additionally, there was plenty of suggestion that Wonder Woman would be nominated for a big prize, though that never surfaced.

Deadline claimed that a Disney executive had spoken about how hard they were pushing for Black Panther to be nominated, while another Disney contender comes in the shape of Mary Poppins Returns, starring Emily Blunt.

REVIEW: Jake Gyllenhaal pushes for Oscar in Stronger

One thing that Stronger does well is avoiding becoming the typically patriotic propaganda following a tragic event. There’s no doubting that Boston as a city and the United States as a nation came together after the devastating bombings in the 2013 Boston marathon. But far too many movies based on tragic real-life events are far too elaborate and nationalistic – the obvious examples being American Sniper and Patriots Day.

Where Stronger thrives is having the ability to look past the collective and focusing on a quite inspiring individual, Jeff Bauman, who suffered life changing injuries as a result of the incident.

The movie follows the memoirs of Bauman, a blue-collar everyday man who loses the bottom half of his legs following the bombings, and the resulting struggles he faces when rebuilding his life. The working-class Bauman must deal with his new hero-like status, not helped by his overpowering mother, Patty (Miranda Richardson) and his on and off relationship with his ex-girlfriend, Erin (Tatiana Maslany).

Stronger is almost the perfect movie for Gyllenhaal right now – the everyday, working-class character facing tragedy gives plenty for him to work with a remind us of what a brilliant actor he has become. And as we enter award season, his name is likely to be mentioned for his big-eyed, turmoil-fueled performance.

The acting is the best aspect of the movie, which won’t last too long in the memory. But there should also be a special mention for Miranda Richardson and Tatiana Maslany. Richardson, playing Jeff’s heavy-drinking mother who gets caught up in the hero status of her son, brings a lot of life to a tough, difficult character whilst Maslany plays the despairing ex-girlfriend who faces just as much struggle negotiating a strenuous relationship with Jeff.

Stronger should be commended for not milking the political aspect of the attack and instead focusing more on the aftermath of an individual and his struggles, whereas similar films insist on waving the red, white and blue. David Gordon-Green’s movie is a refreshing take on a real-life tragedy with strong performances and portrayed well enough.

 

Oscar buzz for Margot Robbie following trailer for new movie

Margot Robbie’s stock has rocketed since she broke onto the scene in 2013 for her role in The Wolf of Wall Street. Her latest movie sees her skating on thin ice in I, Tonya, a dark comedy based around the true story of the Tonya Harding Olympic scandal.

Robbie’s performance has already sparked hysteria as we step ever closer to award season and the movie has earned rave reviews since its debut at the Toronto International Film Festival in September.

The movie follows Harding (Robbie) and her skating story as she rises through the US figure skating ranks, right up until the 1994 Winter Olympics when her future is put into jeopardy by her ex-husband, Jeff Gilloly (Sebastian Stan).

The story is follows the brutal and sometimes unbelievable events as Gilloly attempts to sabotage Harding’s rival skater, Nancy Kerrigan.

I, Tonya hits UK cinemas early next year.

12 Things You Might Not Know About Titanic

It’s 20 years since Titanic played to audiences for the first time at the Tokyo International Film Festival. It went on to become the highest grossing movie of the 90s, raking in 11 Academy Awards in 1998 including Best Picture, Best Director (James Cameron) and Best Actress in a Leading Role (Kate Winslet).

To celebrate 20 years since we fell in love with Jack and Rose, here’s a look at 12 interesting facts that you might not know about the film.

Jack and Rose were nearly played by different actors

Can you imagine Titanic without Leo DiCaprio and Kate Winslet? Well it nearly was the case according to some rumours that suggest the pair were not first choice for the roles. Reports suggest that Gwyneth Paltrow and Matthew McConaughey were in talks to play the pair but both fell through.

Director James Cameron has since refused to confirm or deny whether this is the case, suggesting that it wouldn’t be “cool to talk about actors that either chose not to do it, or were unavailable, or stupidly decided that there wasn’t enough meat on the bone of the character, or whatever it was.”

James Cameron has since cleared up the door debate

More often than not, any everyday discussion about Titanic ends with a debate about the door and whether both Jack and Rose could have fit on it as the ship submerged. Naturally the question has since been posed to director James Cameron and he has cleared it up very simply.

He said: “Look, it’s very, very simple: you read page 147 of the script and it says, ‘Jack gets off the board and gives his place to her so that she can survive.’ It’s that simple”. Despite the director’s claims, Kate Winslet appeared on Jimmy Kimmel Live last year suggesting “I think he could have actually fit on that bit of door.”

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Kate Winslet went to extreme lengths to land the role of Rose

The actress has denied getting hold of Cameron’s number and constantly phoning him, claiming she would be perfect for the role. However, Winslet has admitted to sending the director roses with a note saying “from your Rose” after her audition.

Winslet has since suggested that Cameron took a risk by taking her on with a lot of fellow actresses such as Uma Thurman, Gwyneth Paltrow and Winona Ryder being “much more likely candidates. I got lucky.”

James Cameron was the one who actually drew Rose

BOMB SHELL. No, it wasn’t Leo DiCaprio who was drawing Rose like one of his French girls. Instead it was actually the director of the film himself, James Cameron who stepped in and whose hand is shown drawing the picture of Rose.

The film crew were drugged

Shortly before wrapping up following an arduous shoot, many of the film crew came down with a mysterious illness after tucking into some lobster chowder. Reports suggested that someone had spiked their food with PCP (Phencyclidine).

As a result, “some of the crew were laughing, some people were crying, some people were throwing up,” according to actor Bill Paxton. “One minute I felt okay, the next minute I felt so goddamn anxious I wanted to breathe in a paper bag. Cameron was feeling the same way.” To this day, no one knows who the culprit was.

‘My Heart Will Go On’ wasn’t originally planned

It’s hard to imagine Titanic without Celine Dion belting out the epic ballad during the end credits. But one of the best-selling songs in music history nearly didn’t exist as Cameron originally elected not to have any music with words in throughout the movie.

Composer James Horner and lyricist Will Jennings hooked up together along with Dion and secretly created a demo of the song. Cameron loved it as well as the 15 million people who bought it worldwide.

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There was someone called J. Dawson on board the real Titanic

Shortly after wrapping the film, director James Cameron was informed that there actually was someone with the name J. Dawson on board the real Titanic. As a result, it’s a mere coincidence that the lead male character played by Leo DiCaprio is called Jack Dawson.

Since the movie’s release, the grave of J. Dawson in Halifax, Nova Scotia has become somewhat of a tourist hotspot. The J is actually for Joseph, a 23-year-old trimmer on the ship who heralded from Ireland and died in the sinking.

Lindsay Lohan nearly had a role in the movie

The Parent Trap star, who was eight years old at the time, was set to play Cora, Jack’s “best girl”, but Cameron decided against it as her red hair was too close to Rose’s and her mother Ruth’s.

In addition, Rob Lowe, Rupert Everett, Peter Greene and Pierce Brosnan were all reportedly in the running to play Cal, before Billy Zane was cast. Robert De Niro was also offered the role of Captain Smith but declined due to illness.

Kate Winslet caught pneumonia during filming

As a result of Rose trudging through the freezing cold water to find Jack, Winslet actually caught pneumonia as it was really water from the Pacific Ocean and her reaction was real.

Being the true professional she is, Winslet refused to wear a wetsuit during the scenes involving water and caught the illness as a result.

Kate Winslet flashed Leo DiCaprio (in a professional sense)

When Winslet found out that she would have to strip down in the scene where Jack draws Rose, she decided to flash DiCaprio when they first met in an attempt to make it slightly more comfortable when it came to the real thing.

This was in fact the first scene that the pair filmed together. That’s one way to break the ice…(pardon the pun).

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The movie was still in cinemas when it was released on VHS

Titanic was so popular that people were still going to the cinema to see it even after it was released on VHS – the first movie to do so.

To put that into context, the movie was released in the US on December 19, 1997 and was still showing in the cinema when the film came out on VHS on September 1, 1998.

Kate Winslet and Leo DiCaprio paid care home bills for Titanic survivor

It was revealed in 2014 that the pair, along with Celine Dion and James Cameron, had paid for the care home bills of Millvina Dean, the last living survivor of the Titanic.

Millvina, who sadly passed away in 2009 at the age of 97, was just two months old when the Titanic sunk, making her the youngest passenger on board. She survived along with her mother when they were rescued by a passing boat, but her father died during the disaster.

Academy Awards 2017 – The Winners

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Well that was an eventful evening! After that slight moment of confusion, it was Moonlight who walked away with the Best Picture Award on the night of the 89th Academy Awards. Here is a full list of winners:

Best picture

  • Winner: Moonlight
  • Arrival
  • Fences
  • Hacksaw Ridge
  • Hell or High Water
  • Hidden Figures
  • La La Land
  • Lion
  • Manchester by the Sea
  • Moonlight

Best actress

  • Winner: Emma Stone – La La Land
  • Isabelle Huppert – Elle
  • Ruth Negga – Loving
  • Natalie Portman – Jackie
  • Meryl Streep – Florence Foster Jenkins

Best actor

  • Winner: Casey Affleck – Manchester by the Sea
  • Andrew Garfield – Hacksaw Ridge
  • Ryan Gosling – La La Land
  • Viggo Mortensen – Captain Fantastic
  • Denzel Washington – Fences

Best supporting actress

  • Winner: Viola Davis – Fences
  • Naomie Harris – Moonlight
  • Nicole Kidman – Lion
  • Octavia Spencer – Hidden Figures
  • Michelle Williams – Manchester by the Sea

Best supporting actor

  • Winner: Mahershala Ali – Moonlight
  • Jeff Bridges – Hell or High Water
  • Lucas Hedges – Manchester by the Sea
  • Dev Patel – Lion
  • Michael Shannon – Nocturnal Animals

Best director

  • Winner: La La Land – Damien Chazelle
  • Arrival – Denis Villeneuve
  • Hacksaw Ridge – Mel Gibson
  • Manchester by the Sea – Kenneth Lonergan
  • Moonlight – Barry Jenkins

Best original screenplay

  • Winner: Manchester by the Sea – Kenneth Lonergan
  • 20th Century Women – Mike Mills
  • Hell or High Water – Taylor Sheridan
  • La La Land – Damien Chazelle
  • The Lobster – Yorgos Lanthimos and Efthimis Filippou

Best adapted screenplay

  • Winner: Moonlight – Barry Jenkins and Alvin McCraney
  • Arrival – Eric Heisserer
  • Fences – August Wilson
  • Hidden Figures – Allison Schroeder and Theodore Melfi
  • Lion – Luke Davies

Best original score

  • Winner: La La Land – Justin Hurwitz
  • Jackie – Mica Levi
  • Lion – Dustin O’Halloran and Hauschka
  • Moonlight – Nicholas Britell
  • Passengers – Thomas Newton

Best original song

  • Winner: La La Land – City of Stars by Justin Hurwitz, Benj Pasek and Justin Paul
  • La La Land – Audition by Justin Hurwitz, Benj Pasek and Justin Paul
  • Moana – How Far I’ll Go by Lin-Manuel Miranda
  • Trolls – Can’t Stop the Feeling by Justin Timberlake, Max Martin and Karl Johan Schuster
  • Jim: The James Foley Story – The Empty Chair by J Ralph and Sting

Best cinematography

  • Winner: La La Land – Linus Sandgren
  • Arrival – Bradford Young
  • Lion – Greig Fraser
  • Moonlight – James Laxton
  • Silence – Rodrigo Prieto

Best foreign language film

  • Winner: The Salesman – Iran
  • A Man Called Ove – Sweden
  • Land of Mine – Denmark
  • Tanna – Australia
  • Toni Erdmann – Germany

Best costume design

  • Winner: Fantastic Beasts and Where to Find Them – Colleen Atwood
  • Allied – Joanna Johnston
  • Florence Foster Jenkins – Consolata Boyle
  • Jackie – Madeline Fontaine
  • La La Land – Mary Zophres

Best make-up and hairstyling

  • Winner: Suicide Squad – Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson
  • A Man Called Ove – Eva Von Bahr and Love Larson
  • Star Trek Beyond – Joel Harlow and Richard Alonzo

Best documentary feature

  • Winner: OJ: Made in America
  • 13th
  • Fire At Sea
  • I Am Not Your Negro
  • Life, Animated

Best sound editing

  • Winner: Arrival – Sylvain Bellemare
  • Deepwater Horizon – Wylie Stateman and Renee Tondelli
  • Hacksaw Ridge – Robert Mackenzie and Andy Wright
  • La La Land – Ai-Ling Lee and Mildred Iatrou Morgan
  • Sully – Alan Robert Murray and Bub Asman

Best sound mixing

  • Winner: Hacksaw Ridge – Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace
  • 13 Hours: The Secret Soldiers of Benghazi – Gary Summers, Jeffrey J Haboush and Mac Ruth
  • Arrival – Bernard Gariepy Strobl and Claude La Haye
  • La La Land – Andy Nelson, Ai-Ling Lee and Steve A Morrow
  • Rogue One: A Star Wars Story – David Parker, Christopher Scarabosio and Stuart Wilson

Best animated short

  • Winner: Piper – Alan Barillaro and Marc Sondheimer
  • Blind Vaysha – Theodore Ushev
  • Borrowed Time – Andrew Coats and Lou Hamou-Lhadj
  • Pear Cider and Cigarettes – Robert Valley and Cara Speller
  • Pearl – Patrick Osborne

Best animated feature

  • Winner: Zootopia
  • Kubo and the Two Strings
  • Moana
  • My Life as a Zucchini
  • The Red Turtle

Best production design

  • Winner: La La Land – David Wasco and Sandy Reynolds-Wasco
  • Arrival – Patrice Vermette and Paul Hotte
  • Fantastic Beasts and Where to Find Them – Stuart Craig and Anna Pinnock
  • Hail, Caesar! – Jess Gonchor and Nancy Haigh
  • Passengers – Guy Hendrix Dyas and Gene Serdena

Best visual effects

  • Winner: The Jungle Book – Robert Legato, Adam Valdez, Andrew R Jones and Dan Lemmon
  • Deepwater Horizon – Craig Hammack, Jason Snell, Jason Billington and Burt Dalton
  • Doctor Strange – Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould
  • Kubo and the Two Strings – Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff
  • Rogue One: A Star Wars Story – John Knoll, Mohen Leo, Hal Hickel and Neil Corbould

Best film editing

  • Winner: Hacksaw Ridge – John Gilbert
  • Arrival – Joe Walker
  • Hell or High Water – Jake Roberts
  • La La Land – Tom Cross
  • Moonlight – Nat Sanders and Joi McMillon

Best documentary short

  • Winner: The White Helmets – Orlando von Einsiedel and Joanna Natasegara
  • 4.1 Miles – Daphne Matziaraki
  • Extremis – Dan Krauss
  • Joe’s Violin – Kahane Cooperman and Raphaela Neihausen
  • Watani: My Homeland – Marcel Mettelsiefen and Stephen Ellis

Best live action short

  • Winner: Sing – Kristof Deak and Anna Udvardy
  • Ennemis Interieurs – Selim Azzazi
  • La Femme et le TGV – Timo Von Gunten and Giacun Caduff
  • Silent Nights – Aske Bang and Kim Magnusson
  • Timecode – Juanjo Gimenez

Hacksaw Ridge – Review

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Mel Gibson’s return to the movie scene sees him direct Hacksaw Ridge, one of the most graphic WWII movies since Saving Private Ryan and The Thin Red Line. It’s a heck of a comeback for Gibson as, with the help of an incredibly impressive Andrew Garfield, he produces this touching yet action packed and gripping war flick.

Garfield plays combat medic and conscientious objector, Desmond Doss, a man of God who decides to serve during the war following Pearl Harbour. Due to his religious beliefs however, he refuses to carry a weapon in battle, causing controversy among his camp.

We first encounter Desmond as a child, growing up in Virginia in the 1930’s, fighting with his brother while his drunken WWI veteran father idly watches without any intention to break them up. We first see Desmond as a violent young lad but that deep down he struggles to comprehend his actions, appalled with himself over what he is capable of.

Following an incident with his brother, Desmond grows into a charming young adult – saving the life of a car accident victim shortly before sweet talking young nurse Dorothy (Teresa Palmer) who he goes on to date and marry. This concludes the first act of the movie in which we get to witness Desmond’s home life, growing into an amiable and soft human being, sharing a smitten romance with Dorothy before landing the bombshell to her that he would be signing up for active duty.

The second section of the film sees the struggles that Desmond has to cope with in boot camp. We see him as an ideal soldier, beating his comrades in exercises and looking like a model student – until shooting practice. Refusing to even pick up his rifle, Desmond faces a back lash from his fellow soldiers as well as his officers in charge, which include strong performances from Vince Vaughn and Sam Worthington.

After rigorous negotiating, Desmond is finally granted clearance to serve in Okinawa – without a fire arm, acting primarily as a combat medic. The final act of the movie is all out war and bloodshed, following Desmond as he rapidly reaches hero status for his actions amongst the carnage that is happening all around him.

Gibson does an incredible job of balancing the grit and horror of war with the compassion and courage that is based around this staggering real life hero. This balancing act helps make Hacksaw Ridge so much more than just a war film and much of that is down to Garfield. Although the Academy Award for Best Actor is likely to head elsewhere, Garfield produces his best performance to date and he is why we fall in love with Desmond who you can’t help but admire and respect.

Beyond the brilliance of its leading actor, Hacksaw Ridge is a visually stunning movie. The final act of the movie upon the ridge itself is one of the most intimate and brutal war scenes you are likely to see. By that stage, the previous two sections have set the audience up nicely, introducing you to Desmond and following his story and ambitions.

Despite his controversial past, Gibson has again shown that he has nothing to prove when it comes to gory storytelling. The Passion of the Christ and Apocalypto were previous projects of his and all of these movies illustrate that he doesn’t get lost in all the blood and guts, but sticks to the story despite the violent carnage. It’s an incredible story of a remarkable human being, expertly portrayed.

Birdman – Review

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You always know you’re in for an interesting watch when the opening scene of a film depicts a man meditating, floating four feet in the air. This sets the tone for Alejandro González Iñárrit Birdman, which from minute one you can’t help but watch with uninterrupted intrigue and astonishment.

Riggan Thomson (Michel Keaton) is an actor looking to make his name great once more following his role as the mega superhero, Birdman. Directing and starring in his own Raymond Carver adaptation on Broadway, which could ultimately make or break him, Riggan has to juggle with a number of obstacles as opening night approaches.

These struggles include his cast, his family but most importantly to the film, his alter ego – the superhero that once he played.

Slipping from dressing rooms down tight corridors and onto the stage of the St James Theatre, Birdman’s most notable feature is it’s one-take trick – almost documentary style how it is shot. The entire movie is one beautifully filmed, intimate cut-free scene with only subtle editing tricks included. Aided by the genius cinematographer, Emmanuel Lubezki, Iñárrit portrays Birdman almost like its own live act – the camera following around its characters as if with them gazing at their every action.

Performances are also faultless. Starting with Keaton, whom the main character shares a glaringly similar past, has quite simply revived his stuttering career. Riggan is a character on the edge of a nervous breakdown due the pressures put upon him from various corners. Keaton’s performance is full of charm, comedy, stress and sadness – all rolled up together to portray this psychologically damaged being.

Keaton is also well supported by a strong cast interpreting a variety of personalities. Ed Norton plays his hilarious egotistical co-star and one of the main culprits behind Riggan’s struggles.

Emma Stone is also effortlessly brilliant as Riggan’s daughter, Sam, fresh out of rehab yet still visibly destroyed inside but very much the voice of reason, most notably in her defiant lecture to her father.

Naomi Watts and Andrea Riseborough both play Riggan’s insecure female co-stars with Zach Galifianakis as Riggan’s hectic producer.

Birdman is the definition of an incredibly daring venture, which seriously pays off for Iñárrit who fully deserves his Oscar acclaim for his direction as well as the Best Picture award. Birdman is an incredible and unique piece of film, a grand spectacle fitted together with a multi-talented cast and crew.